Cry babies?

The USA is the only country in the world where comparative advertising is allowed. I can remember for as long as I care to, how I always looked forward to the continuous “trash talking” between Ford and GM, especially when it came to these two companies’ trucks. Well, it would appear that GM has gone too far this time, according to Ford. Ford tried to obtain a court order to prevent GM from showing it Silverado commercial during Super Bowl 2012. I chose this commercial to be the best of the 2012 crop (and trust me, I believe there were a bunch of outstanding spots; in fact, I believe it has been a very long time since we saw TV spots like these).

Check it out and lets have your opinions!

Even the Pope

And his cronies are now getting worried about the Benetton ads. Thanks to Alex Juryte who brought our attention to these controversial campaigns and who will be leaving us at the end of the fall semester to pursue a new career with her hubby in NYC: we will miss you and PLEASE stay in touch!! Check this out!

Advertising is powerful

Cultural differences As you know we have discussed at great lengths in class. And then, I stumbled upon this the other day. This was the final broadcast of Springbok Radio that was such an important and popular station. It died in 1985 after 35 years on the air. Maybe it died, because it did not have any more advertisers? As I have said: No advertisers, no future! You are part of the most important part of marketing … without you NOT A SINGLE medium can survive … YOU are part of a game where advertisers spend in excess of $6,000 PER SECOND!

You are powerful, not the media. Without you, the media cannot exist! Newspapers are folding left, right hook and center, because they could not find anymore advertisers. In 2008 over 500 magazines died … you want to know why?

Remember, Hot dogs, baseball, apple pie and Chevrolet? One of the most successful campaigns ever … see how it was adapted for the South African market. How Coke employed The Dealians, a South African pop group.  Sit through the two Afrikaans commercials (Chappies = chewing gum, 2 for one cent!) Old Spice … crossed so many boundaries with the help of Carl Orf’s Carmina Burana. Look at SAA (South African Airways), the only airline. Compare it with what we do!

WOW!!!!!!!!

Some of you may think that I like this commercial because of my South African background. To those, I say: GROW UP! I really, really like this commercial and NOT because of Charlize Theron being featured in it, but rather the iconic, Grace Kelly, Marilyn Monroe and Madam Legs herself, Marlene Dietrich.

Do yourself a favor and research what astronomical amount Ms Theron is being paid for this and ask yourselves: Is it worth it? Will she really help to sell so much perfume?

How Much Is Too Much? Kristin Pohaski

Kristin Pohaski is an IMC student from the IMC 404 class.

Two and a half million dollars can buy a lavish home, luxury cars, trips to exotic locales – or 30 seconds of air time during Super Bowl XLV.  In 1966, the same spot during Super Bowl I cost $42,500, or about $278,000 in today’s dollars.  The price crossed the $1 million mark in 1994, $2 million in 1999 and $3 million in 2008. With the price of advertising skyrocketing, will advertisers say enough is enough?  Some already have.

Last year, several traditional Super Bowl ad companies sat on the bench.  GM and FedEx both passed on ads last year.  Pepsi didn’t run a spot for the first time in 23 years.  This year, big names like Denny’s, Dr. Pepper and Monster did not appear.  Instead of running a commercial, Papa John’s gave away free pizzas to random customers during the game and promised to give one free to anyone who signed up in advance if the game ran into overtime (it didn’t).  “We’d rather give away millions in free pizzas than spend millions on a spot,” says Andrew Varga, Papa John’s marketing chief.  Prices for a spot were cut from $3 million to $2.5 million this year, the second year in a row and only the third time ever that prices have dropped.

The effect isn’t limited to huge expenditures like a Super Bowl spot.  Ross Petrocelli, Interactive Account Executive for Marc USA, says he has seen “ a lot of shopping around” from clients.  “Media spending has morphed dramatically, with more and more going from print to online.  I’m seeing much more interactive work, especially in social, location based services and mobile overall.”  Smart phones and an increasingly technologically advanced Web offer many new advertising vehicles that are competitively priced.

Along with a shift in media spending is a shift in agency compensation.  For years, agencies were compensated a percent of their billings.  Today, the corporate world is demanding accountability from their agencies.  Many have shifted to a performance-based system of compensation, holding agencies accountable for results, or a lack thereof.  Companies are also moving towards a complete Integrated Marketing Communications program, and in the process they are shifting more of their focus to other areas such as public relations, which can cost pennies on the dollar compared to traditional advertising.

Could advertising be the next bubble to burst, or will prices continue to rise?  One thing is certain – traditional advertising will need to prove its worth to continue at today’s high price points.




Advertising is inspirational!

Her name is Pretty Yende. She is a phenomenon who has hit the international opera scene. She is young, very young, especially for a soprano. She has won every single prize in the most prestigious singing competition in the world. She was fourteen years old when she saw the British Airways commercial below and said: “That is what I want to sing one day.” Look at the commercial and then listen to her … you had no idea how important the work is that you are doing, did you? For what it is worth, she is at present studying under the legendary Freni at La Scala.



Networking the IMC Landscape

By Bob O’Gara

Pittsburgh is a treasure trove of professional organizations dedicated to professionals in advertising, marketing, promotions and public relations.  Many have designated members to help in job searches, professional development and other areas of career interest.

Most will give students a break on memberships and/or admission to professional meetings.  The meetings are normally open to anyone and sometimes you might just sit next to someone and get a referral or lead toward a nice opportunity.  The meetings themselves are a nice way to gain insight to leading edge IMC trends.  Here are a few possibilities:

  1. Pittsburgh Ad Fed, the local chapter of American Advertising Federation.     pghadfed.org
  2. Pittsburgh Chapter, Public Relations Society of America.  prsa-pgh.org
  3. Pittsburgh Chapter of International Association of Business Communicators.   pittsburgh.iabc.com
  4. Media Association of Pittsburgh.  mediapittsburgh.com
  5. Pittsburgh Chapter of American Marketing Association.   amapittsburgh.com

Check financial information on these sites for student-friendly discounts.  As an example, Media Association of Pittsburgh breakfast sessions are free to students and Pittsburgh PRSA has a highly discounted “New Professional” discount.

The First Amendment

Constitutional law scholars are attuned always to commercial actions that affect First Amendment rights.  Sam Keller, a former college quarterback, filed a lawsuit in 2010 against Electronic Arts, a video game manufacturer.  Electronic Arts has a license from the NCAA to manufacture and market “NCAA Football,” a game which uses player images that clearly depict actual student athletes.  Keller is suing for a violation of his right of publicity.  Electronic Arts is claiming that its games are protected speech under the First Amendment. A New York Times article is available at http://www.nytimes.com/2010/11/16/sports/16videogame.html?_r=1

A second timely example of the First Amendment being at issue is seen through Facebook’s virtual police squad, which removes content from user pages that is illegal or that violates Facebook’s terms of service.  See a New York Times article at http://www.nytimes.com/2010/12/13/technology/13facebook.html

Desktop Publishing

Desktop Publishing is a modern printing process that uses personal computers and design software to create and edit layouts for producing all kinds of materials, including: logos, books, magazines, brochures, flyers, and newsletters.

Desktop Publishing allows computer users to have access to traditional printing processes. Although this electronic medium offers personal computer users greater access to creating printed materials, there is still a need to understand the importance of applying basic design fundamentals such as space, texture, color, line elements, balance and rhythm to a design layout.

Each technological innovation attempts to improve upon existing technologies and processes. It is important to understand the origin of terminologies and protocols in desktop publishing to better appreciate their significance. Though the modern personal computer allows an individual to produce printed materials, the quality of thatproduct will depend on an understanding of the elements and principle of design

Different types of desktop publishing software are available. Programs such as Photoshop, Illustrator, Indesign and Flash are just some of the tools that are used in the Desktop Publishing programs at Point Park University in its IMC program (IMC 306 & 315). This high-end software for professional and high-volume use is used by freelance graphic designers, corporations, print shops, graphic design firms. Despite the different types of software, different types of documents created, and where the software is used, all these fall under the wings of desktop publishing.

Advertising: what is it?

Exactly how much money is spent on advertising every year in the USA, is a difficult question as one will get different answers from different folks. According to AdAge the US spent $149 billion in 2007, which equated to $4,717 per SECOND!

$4,717 every second of every minute, every hour, every day! How long is it going to take college graduates before they earn that kind of money per MONTH? The irony is that advertisers spend that kind of money while they have no idea how advertising works. What we do know is that  “it works in some definable ways well enough to make more effective advertising” (Richard Vaughn, 1986).

What is effective advertising? According to David Ogilvy (1911 – 1999), the Father of Advertising, the purpose of advertising is to sell, NOT to entertain. Ogilvy stated that advertisers would not spend that kind of money (nearly $5,000/second) to entertain consumers because if consumers want to be entertained, they have to fork out money … if one wants to see U2 in concert, one has to reach deep into one’s pockets to pay for admission. U2 is NOT going to pay you to attend one of its concerts! Ogilvy was responsible for some of the best advertising ever, the most memorable being his Rolls Royce ad (“At 60 miles per hour …) and the man with the patch for Hathaway shirts.

Leo Burnett (1891 – 1971) created characters such as Tony the Tiger, Morris the Cat, Charlie the Tuna and the Jolly Green Giant to sell products. When he was warned that these characters would move consumers away from the advertising, he responded that, to the contrary, they would pull consumers INTO the advertising, hence the strategy being called empathy!

The strategy of Rosser Reeves (1910 – 1984) was called USP: Unique Selling Proposition. According to his strategy, one had to find a unique element of each product and hammer away at it in the advertising. The most successful example of this strategy was M&Ms’ “Melt in your mouth, not in your hands.”

Given the meaning of the word unique (one of a kind) and that very little (if any) is unique in the 21st century, many will argue that this strategy has become obsolete? Not so fast … by simply substituting “unique” with “one,” this strategy still warrants its place among the best. All one has to do is to hone in on a selling point, which a competitor may possess, but did not capitalize on … thus, a pre-emptive strategy.

Everyone knows the wonderful Beetle advertising of the 60s and 70s. This advertising which was voted the best ever, was the brain child of Bill Bernbach (1911 – 1982) and based on his “Honesty with a twist” strategy: never lie, he said, simply stretch the truth a little. With his Art Director, Helmut Krone, the Bernbach/Krone team left a legacy of advertising that we will most probably never see again … oh, where are the days?

The foregoing are examples of the four greatest advertising practitioners in advertising history.  It has been 27 years since the last one (Reeves) died. The time has come for more greats … could YOU be the next one?